Additions:
A series of short performances exploring the importance of the geographical as well as the discursive context for making performance work. This multilingual series consists of three consecutively performed pieces — A long walk: a performance about a re-enactment of Richard Long’s Crossing Stones; Would you like to learn my language?: an attempt at linguistic and cultural exchange; and Y Gwynt o'r Dwyrain Chwyth: a lecture performance on the various translations of Brecht/Weill’s Seeräuberjenny.
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A series of short performances exploring the importance of the geographical as well as the discursive context for making performance work. This multilingual series consists of three consecutively performed pieces — A long walk: a performance about a re-enactment of Richard Long’s Crossing Stones; Would you like to learn my language?: an attempt at linguistic and cultural exchange; and Y Gwynt o'r Dwyrain Chwyth: a lecture performance on the various translations of Brecht/Weill’s Seeräuberjenny.
Edited on 2010-01-29 19:17:53 by DanielLadnar
Additions:
A series of short performances exploring the importance of the geographical as well as the discursive context for making performance work. This multilingual series consists of three consecutively performed pieces — A long walk: a performance about a re-enactment of Richard Long’s Crossing Stones; Would you like to learn my language?: an attempt at linguistic and cultural exchange; and Y Gwynt o'r Dwyrain Chwyth: a lecture performance on the various translations of Brecht/Weill’s Seeräuberjenny.
Deletions:
A series of short performances exploring the importance of the geographical as well as the discursive context for making performance work. This multilingual series consists of three consecutively performed pieces — A long walk: a performance about a re-enactment of Richard Long’s Crossing Stones; Would you like to learn my language?: an attempt at linguistic and cultural exchange; and Y Gwynt o'r Dwyrain Chwyth: a lecture performance on the various translations of Brecht/Weill’s Seeräuberjenny.
Edited on 2010-01-29 17:14:12 by DanielLadnar
No differences.
Edited on 2010-01-29 17:13:41 by DanielLadnar
Additions:
A series of short performances exploring the importance of the geographical as well as the discursive context for making performance work. This multilingual series consists of three consecutively performed pieces — A long walk: a performance about a re-enactment of Richard Long’s Crossing Stones; Would you like to learn my language?: an attempt at linguistic and cultural exchange; and Y Gwynt o'r Dwyrain Chwyth: a lecture performance on the various translations of Brecht/Weill’s Seeräuberjenny.
Deletions:
A series of short performances exploring the importance of the geographical as well as the discursive context for making performance work. This multilingual series consists of three consecutively performed pieces — A long walk: a performance about a re-enactment of Richard Long’s ‘Crossing Stones’; Would you like to learn my language?: an attempt at linguistic and cultural exchange; and Y Gwynt o'r Dwyrain Chwyth: a lecture performance on the various translations of Brecht/Weill’s Seeräuberjenny.
Edited on 2010-01-29 17:11:38 by DanielLadnar
Additions:
A series of short performances exploring the importance of the geographical as well as the discursive context for making performance work. This multilingual series consists of three consecutively performed pieces — A long walk: a performance about a re-enactment of Richard Long’s ‘Crossing Stones’; Would you like to learn my language?: an attempt at linguistic and cultural exchange; and Y Gwynt o'r Dwyrain Chwyth: a lecture performance on the various translations of Brecht/Weill’s Seeräuberjenny.
Deletions:
A series of short performances exploring the importance of the geographical as well as the discursive context for making performance work. This multilingual series consists of three consecutively performed pieces — A long walk: a performance about a re-enactment of Richard Long’s ‘Crossing Stones’; Would you like to learn my language?: an attempt at linguistic and cultural exchange; and Y Gwynt o'r Dwyrain Chwyth: a lecture performance on the various translations of Brecht/Weill’s Seeräuberjenny.
Edited on 2010-01-29 17:11:06 by DanielLadnar
No differences.
Edited on 2010-01-29 17:10:54 by DanielLadnar
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Edited on 2010-01-29 17:08:36 by DanielLadnar
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We live here now was shown at Aberystwyth Arts Centre∞, 5 November 2009, and as part of Experimentica at Chapter∞ in Cardiff, 11 November 2009.
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We live here now was shown at Aberystwyth Arts Centre∞, 5 November 2009, and as part of Experimentica at Chapter∞ in Cardiff, 11 November 2009.
Edited on 2010-01-29 17:08:24 by DanielLadnar
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We live here now was shown at Aberystwyth Arts Centre∞, 5 November 2009, and as part of Experimentica at Chapter∞ in Cardiff, 11 November 2009.
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We Live Here Now
Edited on 2010-01-29 17:07:47 by DanielLadnar
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We Live Here Now
Edited on 2010-01-29 17:07:25 by DanielLadnar
Additions:
A series of short performances exploring the importance of the geographical as well as the discursive context for making performance work. This multilingual series consists of three consecutively performed pieces — A long walk: a performance about a re-enactment of Richard Long’s ‘Crossing Stones’; Would you like to learn my language?: an attempt at linguistic and cultural exchange; and Y Gwynt o'r Dwyrain Chwyth: a lecture performance on the various translations of Brecht/Weill’s Seeräuberjenny.
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Would you like to learn my language?
A long walk
Y Gwynt o'r Dwyrain Chwyth
Edited on 2010-01-27 10:40:59 by DanielLadnar
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Edited on 2010-01-27 10:40:28 by DanielLadnar
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Edited on 2010-01-27 10:40:13 by DanielLadnar
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we live here now
Edited on 2010-01-27 10:31:40 by DanielLadnar
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Y Gwynt o'r Dwyrain Chwyth
Edited on 2010-01-27 10:29:27 by DanielLadnar
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Would you like to learn my language? A long walk
Oldest known version of this page was edited on 2009-10-03 14:39:16 by DanielLadnar []
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